SLOW HORSES

I started working remotely during the pandemic, helping to establish the now-notorious Slough House, Jackson Lamb’s run-down MI5 office in Slow Horses. Working closely with Joanna Pratt and the wider team, I continued working on remote dailies through to 2025, creating the graphic details that helped bring the world of the series to life.

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My work covered a broad range of on-screen graphics, including shop frontages, hospital and airport signage, posters, newspapers, labels and vehicle graphics. Working remotely, I collaborated closely with the team to develop and deliver graphics quickly, responding to changing requirements while maintaining the authentic, lived-in visual language of the show.

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From the earliest stages of establishing Slough House through to later seasons, it was a rewarding opportunity to contribute to the distinctive visual world of Slow Horses and its characters.